As Senior Compositor on Your Place or Mine, I worked on keying, set extensions, CG integration, 2D/planar tracking, photo and label replacements, and paint work. The film’s interior NYC and LA home sets, as well as the airport finale, were filmed entirely on bluescreen stages, requiring extensive keying and complex set extensions. Using a mix of CG and live-action DMP, we brought these environments to life, ensuring they felt authentic and dynamic. Despite the challenges, the collaborative effort of our team resulted in a visually stunning final product.